 The American cut replaces all of Kunio Miyauchi (qv)s original music, much  of it replaced by Paul Sawtell (I) (qv)s music from  _Fly, The (1958)_ (qv), as well as the traditional Noh music for Fujichiyos  dances, which becomes orchestral Kabuki music, a switch that made  Yoshio Tsuchiya (I) (qv) laugh aloud in the theatre when he saw the  American cut for the first time.