 English, French, and German.  Less well known is that each version  is slightly different from one another.  Additionally, at least with the  English version, Riefenstahl frequently altered prints.  The prints  distributed on 16mm film in the 1960s did not have a boxing sequence, whereas  current prints do (although the dialogue for the boxing sequence is in  German).  Even less well known is that upon its original release in the  United States (1940), the Diving Sequence was about 1 minute longer than its  current version (attentive soundtrack listeners can clearly hear the abrupt  break in the music).  This longer version of the Diving Sequence can be seen  at the Anthology Film Archives (whose print comes from Raymond Rohauer) and  the Museum of Modern Art, both in New York City.