 Around 1950 a French film historian, Lo Duca, discovered the second negative  in the vaults of Gaumont Studios, in pristine condition. Sadly, he created  his own version, changing the original and including a score that was a  montage of Albinoni, Vivaldi, and other Baroque composers. Intertitles were  done away with and replaced with subtitles, and the film opens in a  voice