 KYA TUM HO interweaves the story of three protagonists, Dr. Pande, an academician, Anita, a young widow and Amrit a young man, trying to navigate through their eventless solitude and bear the weight of being  ordinary . The narrative of the film flows in different times and spaces, from present to past and real to virtual. The plot becomes a collage of the protagonists  struggle to exorcise the scars of a violent past and attempts to belong to somebody meaningfully. Dr. Pande, struggles to overcome the accidental death of his wife and accusation of being a pedophile. Anita is haunted by betrayal in love and a violent marriage that ends in the death of her husband. Amrit, a semi trained computer engineer, manages an Internet café and pursues his love for a young woman suffering from schizophrenia. Unable to find a credible place in the real, Dr. Pande, Anita and Amrit seek refuge in the virtual world of Internet. The make believe world of the protagonists is set against their mundane life devoid of any larger than life grand actions or purpose. The story deals with contradictions in the lives of people who are vulnerable and strongly driven by their survival instincts. They seek to build layers of glamour and grandeur in their otherwise lack lustre lives in this make- believe world. They chat with each other on the net with false gender and glamorised identities. They play with eroticism, deceit and solitude. Internet chat serves in the film as a platform for multitude of non-dynamic ordinary people who live in a society that has so few opportunities for people to interact constructively outside family or professional spheres. As Dr. Pande, Anita and Amrit tease and cheat each other on the net; steadily these relationships become more serious. Eventually their lives cross each other s path. As the story moves on Pande, Anita and Amrit try to give their virtual relationship a real form, seek a believable future. They try to resolve their dilemmas in grey zones of morality. They lead their lives through half-truths at best and towards a dramatic climax.