 A young man arrives at a hotel for an assignation; she calls to say she s not coming. He is Jae-hoon, she is Soo-jung; they ve met through Young-soo, an independent filmmaker. Soo-jung writes for him; Jae-hoon may finance his film project. In two long parallel flashbacks, from varying points of view, we see what precedes the date at the hotel. Details differ, and one account includes events missing from the other. Characters are quiet and self-contained, then animated; victims apologize. Each character frequently asks, "Really?" What has really happened? Is one account more accurate? Is a kiss the most enjoyable and promising human contact? Connections are tenuous and fragile.