 Two street musicians alert us that a rendezvous can be surprising. In the first of the triptych, Esther learns her boyfriend may be cheating on her, so she arranges to meet a flirtatious stranger at a cafe. When she goes, surprises abound. In "The Benches of Paris," a couple meets in parks to stroll, kiss and talk. She already has a boyfriend, so while he s away, they plan to spend two days in a hotel, pretending to be tourists. Surprises alter their plans. In part three, a painter arranges to meet a Swedish tourist at a cafe. Then he sees a passing stranger, pursues her, and forgets the Swede. Alas, she s married, but advises him about his love life. Her advice gets mixed results.