 Alternating between recognisable and abstract picture worlds, between theoretical reflection and lush sensuality is the main distinguishing characteristic of Peter Tscherkassky s work. That is particularly true when he concerns himself with filmic space. In kelimba moving plastic objects are inserted, one after another, in a completely flat picture space. At the same time the processes of movement are subjected to a repetitive rhythm and thus transformed into a dance. (Gabriele Jutz)